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Claire-Louise Langham

The Aftermath is an exploration of grief and loss following my father’s passing, depicted through photographs of the familiar spaces that once brimmed with his presence. In each image, I wear one of his tops, symbolsing our connection and enhancing the emotional resonance of the scenes.

Claire-Louise Langham

These spaces, once alive with shared memories, now stand as silent witnesses to absence and the void left by his departure. Through my lens, I confront the transformation of the familiar into the unfamiliar, the mingling of past and present, and the shaping of perception by memory.

Claire-Louise Langham

By immersing myself in these environments, I embark on a journey of self-discovery and healing. Each environment serves as a cathartic release, a testament to the complexity of grief and the resilience of the human spirit. Through this visual dialogue, I invite viewers to contemplate their own experiences of grief and remembrance.

Claire-Louise Langham

These images stand as a tribute to my father, each frame holding the essence of his presence, encapsulating our final conversations, our last shared laughter and the tender moments we cherished together.

Claire-Louise Langham

In these images, my father lives on, his spirit woven into the fabric of each scene. They are more than photographers; they are a testament to his enduring presence in my life and a beacon of comfort in my grief-stricken path. These images represent not just my healing, but the enduring legacy of my dad.

Kayci Benham

My work consists of self portature, focusing on the female body and how its identity has been influenced by a male dominated culture.

Kayci Benham

The female form is no longer as simple as it is presented but rather a subject for constructed male views, designed for the consumption of the beholder

Kayci Benham

Through obscuring my identity, I want to demonstrate how the female form becomes an object of fetish, criticisms and desire. By incorporating the studio I test the boundaries between being the photographer and the subject, and performing for the camera.

Reece Donnison

A Visual Transcription of The Sound Collector is a response to the 2024 ISTD Brief ‘The Line’. The project aims to bridge the gap between performance poetry and typography.

Reece Donnison

I created a ‘visual transcription system’, which can be adjusted for any poem. The system was developed to communicate the nuances of speech through typography and image, crossing the line between the data-led technology of spectrograms, and the art of poetry, design, and typesetting.

Reece Donnison

The selected poem was ‘The Sound Collector’ by Roger McGough, 2015, a poem that reiterates the importance of sound in our everyday lives.

Lujain Al-Jardaani

This “Latin Arabic Words and Sentences” project explores Arabish, the fusion of English and Arabic within the Arab culture.

Lujain Al-Jardaani

It delves into historical roots, societal shifts, and technological influences, showcasing how languages evolve.

Lujain Al-Jardaani